My favorite historian Victor Davis Hanson turns movie critic by comparing what we know with what Hollywood would have us believe in some of their recent productions.
When terrorism goes to the movies in the post-Sept. 11 world, we might expect the plots, characters and themes to reflect some sort of believable reality. But in Hollywood, the politically correct impulse now overrides all else. Even the spectacular pyrotechnics, beautiful people and accomplished acting cannot hide it. . . .